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Another speepainting. Related to this one. Ignore the split face - I originally painted her whole face, but then I decided I wanted to try to make her faceless. I'll pick a side, eventually, but rest assured if I go with the faceless idea it won't look like it's melting. Like it does now.
Another speepainting. Related to this one. Ignore the split face - I originally painted her whole face, but then I decided I wanted to try to make her faceless. I'll pick a side, eventually, but rest assured if I go with the faceless idea it won't look like it's melting. Like it does now.
The whole project is about illustrating a subject and its opposite/hidden side/other face. I picked a very basic and familiar theme: Nature as creator and loving mother... and Nature as a destructive force.
My general goal is to create something visually interesting, effective and original even with an unoriginal theme.
Other stuff I have in mind:
- deciding between the faceless half of her head and her more human one. It depends: am I going for something malevolent and furious (human feelings) or rather something without a human "soul", a faceless, nameless force that crushes everything? The human-like face is more relatable and expressive, but is destructive Nature actually "angry"? I like expressivity, but perhaps the faceless woman is closer to my perception of destructive Nature.
My general goal is to create something visually interesting, effective and original even with an unoriginal theme.
Other stuff I have in mind:
- deciding between the faceless half of her head and her more human one. It depends: am I going for something malevolent and furious (human feelings) or rather something without a human "soul", a faceless, nameless force that crushes everything? The human-like face is more relatable and expressive, but is destructive Nature actually "angry"? I like expressivity, but perhaps the faceless woman is closer to my perception of destructive Nature.
- making the focus of the paintings (face and tree) polished and well rendered and then progressively make everything else more painterly and rough, even abstract.
- implementing basic geometric shapes in the more abstract areas - round shapes for the more serene portrait, pointy edges for this one.
I'm very stressed out and tired because of school stuff, my English is probably kind of broken today. I appreciate any kind of feedback
I'm very stressed out and tired because of school stuff, my English is probably kind of broken today. I appreciate any kind of feedback
Image size
2480x3508px 2.13 MB
Comments17
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I agree with the faceless idea because I think it would really strike the viewer with how nature acts as a destroyer
It has no soul no care about who gets hurt
Your nature art pieces are amazing!!!!
It has no soul no care about who gets hurt
Your nature art pieces are amazing!!!!